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Making a Stained Glass Lamp Print E-mail
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Thursday, 22 September 2005
After window, “lampshade” is the next word that comes to mind when stained glass is mentioned.  Decorative windows were permanently installed in residences, became passive items — taken for granted — and remained when the property was sold.  By contrast, stained glass lighting was the only portable form of stained glass.  Dining room lamps and table lamps were often handed down through the family or sold as tastes changed and generations passed.Image
Lampshades are active, compared to a passive window, since they’re used for general or mood lighting.  The original glass lampshades of the early 20th century were lit by low wattage bulbs and cast soft light into the room.  The current high wattage bulbs cast a much brighter light and generate higher heat temperatures for lampshades.  As a result, antique lamps are lit with lower watt bulbs to retain the true, intended appearance by the craftsmen as well as to protect the shade's metal construction from the bulb's heat.

There are several points to consider when deciding on your lampshade.  First, is purpose —do you want it to provide accent light or room and task lighting?  The purpose will dictate the size of the shade.  A suitable size for a dining room or kitchen table should be at least 12" in diameter to disperse light to the edges of the table.  Uninterrupted light will travel in a shape matching the profile of the shade, downward from under the shade, and depending on its height from the tabletop will influence the radius of the light.  

Pool table stained glass lights are rectangular-shaped to illuminate the corner pockets, while round or square tables for card playing or dining will usually have round or large, square shapes to cast light evenly on the table top.  Small accent lighting using a shade 6" to 8" in diameter will give small areas of light directly around the lamp base but not much beyond, again depending on the height of the base.  The density of the glass mutes the light transmitted through the sides of a glass shade unless it is beveled or cathedral type glass.

Here’s the next point to consider:  the choice of glass.  Any shade made of cathedral, antique or wispy and translucent glass will show the electrical components and light bulb.  This glass will work for a hanging lampshade with a multi-arm candelabra and clear flame bulbs that are intended to be seen.  It is not a good fit for a table lamp with the harp, socket and single bulb glaring on the top of the lamp base.  

The usual choice is an opaque or opalescent glass that hides the hardware and avoids the hot spot created by the bulb.  Transparent or bevel accents can be used in an area of the shade that doesn’t directly face into the bulb.  If you plan to use cathedral glass, think about using a heavy textured glass that breaks up the glare of the bulb and hides the hardware.

Another choice you’ll make is the actual shape of the shade, although this is somewhat determined by the use of the light.

You’ll also need to decide what size base goes with your shade.  There’s no real hard and fast rule, although there are guidelines you can follow.  The lampshade and base have to be in reasonable proportion to each other.  A shade that’s too small will look awkward, and a shade that’s too large will appear to swallow the base.  If it’s too wide, it could easily tip over, too.

You’ll also want to match the style of the base to the style of the lampshade.  A simple lampshade would look out of place on an ornately decorated base, and vice versa. A multi-piece shade with various colors and design would overwhelm an understated, minimalist base.  Try the shade on several bases once you determine a height and step back to look.  In the end it’s a matter of personal preference – make sure you’re happy with the balance of lamp and shade size and style.

 

Last Updated ( Friday, 23 September 2005 )
 
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