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So what should you make? There
are a wide variety of pattern books available on any subject and any
degree of complexity. These resources provide an appropriate
starting point for creative inspiration along with the many images in
your environment ...a tree beside a stone wall...a group of flowers
in a vase… birds… or whatever attracts you and brings enjoyment
can be a subject for stained glass design.
If you are a beginner you can draw your
own patterns. Or you can choose to buy a pattern. Either
way, keep in mind some simple guidelines:
-Start with a simple, realistic
size. A beginner's starting panel should be at most 1 to 2
square feet. It will be more rewarding than a suncatcher
because you’ll have to make decisions on glass color and placement
– it’s a great way to experiment and learn.
-A balanced design will make the
viewer’s eyes travel in a circle, triangle, or square around the
entire panel, seeing all the parts.
-Color in the drawing or pattern to
see what it will look like. This exercise will help you select
glass.
-Check your design to see if there
are any impossible glass piece cuts, and that the lines flow
naturally to the edge of the glass. If you’re in doubt about
whether your skills are strong enough for a certain cut, either
experiment first, or try an easier pattern until your skills
improve.
-Decide what method of construction
will be used to make the project — traditional lead came or copper
foil. Either method has advantages and limitations and should
be considered in terms of your pattern choice.
-Vary the width of your lines to
create depth of field or use them as an effect such as in vines or
leaves. Changes in the sizes of foil or lead will physically
accomplish this effect as you are building your project.
-If the design has too many small
pieces, while much detail will be displayed, the effect of the glass
color and direction can get lost. Start with simple
ideas and moderate sized pieces and let the glass do the work; then
experiment with adding extra shading or more complex lines with
related glass colors.
-If you do use pattern books, keep
in mind you may see the same item made by someone else… but yours
will be different because of your choice of glass and color.
The final drawing should be in ink with
all the pieces numbered, with any directional marks or shading cues
added as notes. Have a photocopy or carbon copy made on heavier
paper (67# or 80# weight) from which you will cut the pattern pieces.
(If it’s a large piece, most copy or print shops can help you
make an appropriate copy.) The original design or a copy can be
used to position the glass pieces for assembly.
There are a number of resources for
patterns: at a glass supply shop (or craft shop) like Michael’s
Arts and Crafts, Ben Franklin, or from the craft sections at, from
books found at retailers like Wal-Mart or K-Mart, or from friends.
Most libraries have a selection of stained glass books available –
that’s a great way to get a sense of what’s available without
having to actually make a purchase. For instance, the Henrico
County Public Library in Richmond, VA has sixteen different stained
glass pattern books on its shelves (along with a number of how-to
guides). You can purchase patterns online: simply use the
search phrase “stained glass patterns” and you’ll find hundreds
of choices of individual patterns or books containing dozens of
patterns. Online bookstores like amazon.com or
barnesandnoble.com carry a wide selection of pattern books.
You can also draw your own; you’ll
probably get the greatest amount of satisfaction from producing your
own pieces. It’s not as hard to do as you might think,
especially if you keep your initial designs simple. Check out a
pattern book to get an idea for how the patterns are drawn, and then
sit down and start sketching.
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